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The directors and the studio bosses left him alone because no one could figure out what he was doing. In contrast, Siegel would read the motion picture's script to find out the story and action, then take the script's one line description of the montage and write his own five page script. He does, and that's what's labeled montage. The director casually shoots a few shots that he presumes will be used in the montage and the cutter grabs a few stock shots and walks down with them to the man who's operating the optical printer and tells him to make some sort of mishmash out of it. Montages were done then as they're done now, oddly enough-very sloppily. Siegel told Peter Bogdanovich how his montages differed from the usual ones: He did montage sequences for hundreds of features, including Confessions of a Nazi Spy Knute Rockne, All American Blues in the Night Yankee Doodle Dandy Casablanca Action in the North Atlantic Gentleman Jim and They Drive by Night. įrom 1933 to 1942, Don Siegel, later a noted feature film director, was the head of the montage department at Warner Brothers. In a matter of moments, with images cascading across the screen, he was able to show Jeanette MacDonald's rise to fame as an opera star in Maytime (1937), the outbreak of the revolution in Viva Villa (1934), the famine and exodus in The Good Earth (1937), and the plague in Romeo and Juliet (1936). He devised vivid montages for numerous pictures, mainly to get a point across economically or to bridge a time lapse. Noted directors įilm critic Ezra Goodman discusses the contributions of Slavko Vorkapić, who worked at MGM and was the best-known montage specialist of the 1930s: "Scroll montage" is usually used in online audio-visual works in which sound and the moving image are separated and can exist autonomously: audio in these works is usually streamed on internet radio and video is posted on a separate site. It plays with Italian theatre director Eugenio Barba's "space river" montage in which the spectators' attention is said to " on a tide of actions which their gaze fully encompass". "Scroll montage" is a form of multiple-screen montage developed specifically for the moving image in an internet browser. In a typical railroad montage, the shots include engines racing toward the camera, giant engine wheels moving across the screen, and long trains racing past the camera as destination signs fill the screen. In the first, as in Citizen Kane, there are multiple shots of newspapers being printed (multiple layered shots of papers moving between rollers, papers coming off the end of the press, a pressman looking at a paper) and headlines zooming on to the screen telling whatever needs to be told. Two common montage devices used are newsreels and railroads. Its use survives to this day in the specially created "montage sequences" inserted into Hollywood films to suggest, in a blur of double exposures, the rise to fame of an opera singer or, in brief model shots, the destruction of an airplane, a city or a planet. The word "montage" came to identify.specifically the rapid, shock cutting that Eisenstein employed in his films.
#Define montage series#
Hollywood montage, romantic in the extreme, is written off as a series of wipes, dissolves, flip-flops and superimpostions.” -Film historian Richard Koszarski in Hollywood Directors: 1914-1940 (1976) Eisenstein is seen as intellectual, objectively analytical, and perhaps overly academic.
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The Soviet tradition, primarily distinguished by the writing and film work by S. "Film historians differentiate two parallel schools of montage, that of the Soviets and that of Hollywood.